![]() ![]() After the 20th fall, you may want him to stop with all the sudden moves. By Debopriyaa Dutta Published No Sudden Move is a tautly-paced noir thriller prepped with a never-ending carousel of twists and betrayals that culminate in a satisfying denouement. Soderbergh twists and layers and pulls the rug from underneath your feet. Back in 2013, following the release of Side Effects, Soderbergh announced his retirement from filmmaking. ![]() Things seem to drift apart, plot and sense-wise, then coalesce again. It’s fully immersive and, although released directly to HBOMax, the film has the look of something made for theatrical viewing (among other things, Soderbergh occasionally toys with a fisheye lens, which distorts the image). But, really, it works best when the characters are just riffing off one another. No Sudden Move is a 2021 American crime thriller film directed by Steven Soderbergh, produced by Casey Silver, and written by Ed Solomon. No Sudden Move functions well enough as a satire about this country’s greed and corruption, with traces of racial, social, and environmental injustices simmering under the surface. That being said, a special extended cameo (as if the film couldn’t get higher on the star wattage scale) may just be the highlight. Each one exists to serve a purpose, drive the narrative along – aside, perhaps, for Cheadle’s heavily-accented, hard-to-read Curt, who imbues the proceedings with an iota of real soul. ![]() It’s great to see these actors work, but there’s simply too much plot for any character to be deeply fleshed out. No Sudden Move, now on HBO Max, may be seen as Steven Soderbergh’s truest return to form, and this time we mean it. Ed Solomon’s script is crammed with zingers, delivered perfectly by the cast, all of whom seem to be having a blast. Frequent collaborator, DJ, and composer David Holmes complements the narrative with his jazzy, funky score. CNN Steven Soderbergh continues his prolific directing streak with No Sudden Move, a 1950s crime thriller that’s an obvious ode to the movies of that era and a nifty showcase for its. If you don’t keep up, this film will lose you.Īlthough Soderbergh complicates his cinematic dish with too many flavors, No Sudden Move still offers plenty of bites to savor. The transcript itself contains information that’s bigger than all of the characters’ petty ambitions put together. At the risk of spoiling the fun, I’ll just say a tricky game of “who can out-back-stab who” ensues, involving law enforcement agent Joe ( Jon Hamm ), two other mafia bosses, Frank (Ray Liotta) and Aldrick (Bill Duke), as well as Frank’s wife, and Ronald’s girlfriend, Vanessa ( Julia Fox ). No Sudden Move dispenses with all the pre-amble of a typical crime caper, excising the team building, the stakes, the backstory and particularly removing any and all references to what it actually is that’s being stolen. ![]()
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